在盛唐和中唐时期成为独立科目的花鸟画,兴盛于两宋时期,以美学再造的方式对自然界中的草虫鸟兽进行描摹,呈现在艺术家内心得到升华再造与重新构成的世界。宋人花鸟小品画幅,在尺寸之间使用非常含蓄收敛的构成和起落相合的构图形式,将转瞬即逝且节奏清晰明快的独特场景以及形态表现于纸面,不仅具有领先时代的奇特构思,并且具有雅致与优美并存的气质,将宋代文人士大夫阶级独特的审美趣味与精气神表露无疑。本文结合具体的画作,对宋代花鸟小 The flower-and-bird paintings that became independent subjects in the prosperous Tang Dynasty and the Middle Tang Dynasty prospered in the Song and Song Dynasties. They traced the insects and beasts in nature in the form of aesthetics renaissance, showing a world that is sublimated, reconstructed and reconstructed within the artist. Song flower and bird sketch, using a very subtle convergence between the size of composition and composition of the rise and fall of the composition, the fleeting and clear and crisp rhythm of the unique scenes and forms on paper, not only has a unique concept ahead of the times, and With elegant and graceful coexistence of temperament, the literati literati class in Song dynasty unique aesthetic taste and elitism demonstrated. This article combines specific paintings, small Songhua birds and flowers