论文部分内容阅读
云南少数民族视觉艺术符号是民族文化的历史产物,是意识形态的外化。本文从视觉符号的共性和时空超越性两个方面探讨了云南少数民族视觉艺术符号的独特性,得出云南少数民族视觉艺术符号是独特的符号系统;从原发性思维、传承性思维和审美性思维的角度分析了云南少数民族视觉思维的独特性,得出云南少数民族视觉艺术符号是独特的视觉思维系统。
The visual arts symbol of ethnic minorities in Yunnan is the historical product of national culture and the externalization of ideology. This article explores the uniqueness of the visual arts symbols of ethnic minorities in Yunnan from two aspects: the generality of visual symbols and transcendence of time and space, and draws the conclusion that the visual arts symbols of Yunnan minorities are unique symbolic systems. From primary thinking, inheritance thinking and aesthetic The uniqueness of the visual thinking of ethnic minorities in Yunnan is analyzed from the perspective of sexual thinking. The visual arts symbol of ethnic minorities in Yunnan is unique visual thinking system.