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明代,我国的社会经济进一步发展,但在文化上并未出现唐诗宋词之后文学上的新高度。元、明两代的文化压制,让中国的文人将自己的精神世界从唐宋文人胸怀天下的广阔壮志,压缩到一山、一水、一花、一草的精致世界。大批文人醉心于戏曲小说编创与品评之乐。此时,小说、戏曲等通俗书籍的印刷空前繁盛,书市利益的丰厚带来书籍版画创作的争奇斗艳,总体上呈现出文化艺术趣味发展的市民化的倾向。文章对明代的社会变迁进行阐述,并探讨其对明代雕版印刷艺术的影响。
In the Ming Dynasty, the social economy in our country developed further, but it did not appear culturally new height after the poetry of Tang Dynasty and Song Dynasty. The cultural repression of the Yuan and Ming dynasties allowed Chinese literati to compress their own spiritual world from the broad aspirations of the literati of the Tang and Song dynasties to the exquisite world of mountains, water, flowers and plants. A large number of writers indulge in drama fiction creation and evaluation of the music. At this time, printing of novels, dramas and other popular books was unprecedentedly prosperous, and the rich interest in book market brought the contend for the creation of books and prints. As a whole, the tendencies toward citizenization of the interest in culture and the arts tended to appear. The article elaborates the social changes in the Ming Dynasty and discusses its influence on the art of engraving printing in the Ming Dynasty.