戴维·哈维是西方“空间转向”中实现地理学传统与马克思主义传统相遇的重要代表性人物。其空间观念在本体论、现代性与文化艺术的三重维度上展开。在哈维的空间理论的文化艺术维度上,他对以“巴黎”为核心的法国文学的关注和批评实践开启了一种通过空间批评来展开文学与文化研究的新视野,开拓了马克思主义理论与文学批评立足现实、立足批判的新平台。 David Harvey is an important representative figure in the west “space turn ” meeting the tradition of geography and the tradition of Marxism. Its concept of space expands on the three dimensions of ontology, modernity and culture and art. In Harvey’s cultural and artistic dimension of space theory, his concern and criticism of French literature centered on “Paris ” opens up a new field of vision for conducting literary and cultural studies through space criticism, opening up Marx’s Theory and literary criticism based on reality, based on a new platform for criticism.