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现代中国画的发展跟整个东方的绘画发展面临着“借古”与“融西”的问题,东方悠久的绘画艺术要面对世界文化的剧烈变化和发展,如何继承、如何发展、如何创新更是画界、史论界和学术界讨论的重点所在。近几年在绘画材料、技法的不断演进的前提下,没骨画作为中国传统绘画的重要一脉,也在健康的探索中发展。本文对海上画派、岭南画派的没骨画风进行了比较与梳理,以期为现代没骨画的发展提供一定的启示和借鉴。近代中国是一个多变的时代,鸦片战争以后,生活在上海和广州这两大沿海城市的画家最先接受了维新思想和外来文化,“海上
The development of modern Chinese painting faces the problem of ”borrowing the ancient“ and ”melting the west" with the development of the entire East. The long history of painting in the East faces the dramatic changes and developments in the world’s culture, how to inherit it and how to develop it. How to innovate is the focus of discussion in the painting circles, history circles and academia. In recent years, under the premise of continuous evolvement of painting materials and techniques, boneless painting, as an important vein of traditional Chinese painting, has also developed in a healthy exploration. This article compares and combs the uneducated style of the Sea Painting School and the Lingnan School of Painting with a view to providing some inspiration and reference for the development of modern bone painting. Modern China was a time of change. After the Opium War, the artists living in the two coastal cities of Shanghai and Guangzhou were the first to accept the ideas of reform and foreign culture.