沈鹏:二十世纪七十年代后期,在中国书法史上值得大书一笔。书法振兴了,首先表现为创作的繁荣,几乎与此同时,呼唤理论的推动力和前导性。大体上说,先是与创作关系较为直接的问题,然后上溯史的研究,系统的理论与美学的研究,以及书法与其他各门艺术、文化关系的研究,再是中外艺术的比较、融会、吸收等问题。总的趋势是由近及远,由浅入深。在我们这个年月,理论活动不像 Shen Peng: The late seventies of the twentieth century, worthy of a large book in the history of Chinese calligraphy. Calligraphy rejuvenated, first manifested in the creative prosperity, at the same time, calling for the driving force and leading theory. Generally speaking, the first is the question of the more direct relationship with the creation, then the research of upstream history, the study of systematic theory and aesthetics, the study of the relationship between calligraphy and other arts and cultures, and then the comparison, integration and absorption of Chinese and foreign arts And other issues. The general trend is from near to far, from shallow to deep. In our time, theoretical activity is not like