书法是由线条组成的字形。掌握了线形和字形之间相互关系的奥妙,就掌握了通往书法艺术大门的钥匙。我的书法观:尚碑为线,以画入书;编创双楫,笔墨随心。先说线。我们所说的书法的线,或倾向于帖,或倾向于碑,当然也有中间的道路可走。一般而言,帖的线柔美,有书卷气息,道媚劲健;碑的线则刚强粗犷,雄浑大气。帖的提按多,线条曲折,变化细腻;碑的线雄浑壮硕,直线多,铁铸一般。我比较倾向于碑式的线,喜爱线条的那种雄强、力量,和视觉的冲击感。当然,毛笔毕竟有它神奇的地方,绞转翻折,自有魅力。在学书法的过程中,我比较喜爱 Calligraphy is a glyph composed of lines. Mastered the mystery of the interrelationship between line and glyph, and mastered the key to the door of calligraphy. My calligraphy concept: Shang monument for the line, to draw into the book; create Shuangjian, pen and heart. First line. We call the calligraphy line, or tend to post, or tend to monument, of course, there is a middle way to go. In general, the thread of the book is soft, with a book breath, Road, Mei Jin; monument line is strong and rough, powerful atmosphere. Posts mention more, twists and turns lines, changes delicate; monument line vigorous, straight line, cast iron in general. I am more inclined to the monument line, like the kind of male strength, strength, and visual impact. Of course, the brush, after all, has its magical place, twisted turn, its own charm. In the process of learning calligraphy, I prefer