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王明泽从学艺起,一步一个脚印。经历了一个漫长的、曲折的、痛苦的磨炼过程。80年代初,有幸得益于周韶华、冯今松、邵声朗等先生指点。从此心领神会,触类旁通,勤学不辍,造诣渐深。无论是山水还是花鸟,除了每幅题材、意蕴不同。都可以看出作者多方面修养和高格调的审美趣味。不管是山泉奔涌还是去雾朦胧,春景融融还是秋风瑟瑟,他总是将大自然万物的原生之意熔铸成个人独特的精神境界和艺术形式展现于观众眼前。从而缩短了作者与观众的距离,达到了一种神交情通的效应。这正是画家与物化、寄于笔端的结果。
Wang Mingze from school art, step by step. Experienced a long, tortuous, painful process of tempering. The early 1980s, fortunate enough to benefit from Zhou Shaohua, Feng Jinsong, Shao Shenglang other guidance. Since then take the hint, touch class bypass, diligent stop learning, attainments gradually. Whether landscape or flowers, in addition to each theme, meaning different. Can be seen that many aspects of the author’s cultivation and high-style aesthetic taste. Whether it is the spring rush or go to the foggy, the spring landscape melts or the autumn wind, he always casts the original meaning of all things nature into a unique spiritual realm and art form to the eyes of the audience. Thus shortening the distance between the author and the audience and reaching the effect of a divine friendship. This is exactly the result of the painter and materialization sent to the pen end.