记者:《屈原》在服装上作了哪些设计?彭丁煌:屈原是深入人心的形象。之前大家见到的屈原来自绘画作品或者电影作品。可以说,那种形象人们已经非常熟悉了。大家已经有了先入为主的印象,再用京剧来表现屈原的形象会变得很难。因为京剧有很多程式化的艺术形式,如果用传统的扮相来塑造屈原的形象,可能很多观众会觉得台上那个人物不是屈原。这样一来,屈原的形象设计就成了头等难 Reporter: “Qu Yuan” made in the design of clothing? Peng Dinghuang: Qu Yuan is deeply rooted image. Qu Yuan, who had seen before, came from a painting or a movie. It can be said that the kind of image people are already very familiar with. Everyone already has the impression of being preconceived, and using Peking Opera to represent Qu Yuan’s image can become difficult. Because there are many stylized forms of art in Beijing Opera, if traditional costumes are used to shape Qu Yuan’s image, many viewers may think that the person on the stage is not Qu Yuan. As a result, Qu Yuan’s image design has become a top priority