对于小说家王安忆来说,好的故事本身就是好的形式,“好的形式”是好的故事的第一定义。实现“好的形式”的过程中,将人物看成和塑造成感性的、非概念化个体,是王安忆的核心手法。她恪守这样的定式:塑造一般人的一般状况,消解典型,使人物的个性平凡得妙不可言,合情合理地启动个性内蕴的既定轨道。本文以其小说《花园的小红》为例,阐明王安忆如何运用反概念化的手法,通过深入挖掘平凡人物的独特的平凡性,通过消解惯常的概念化的阅读期待,对小说进行布局谋篇,获得了一定的成熟度和艺术效果。 For the novelist Wang Anyi, a good story is a good one in its own right, and a “good form” is the first definition of a good story. In the process of realizing “good form ”, it is the core technique of Wang Anyi to regard the characters as the perceptual and non-conceptual individuals. She abides by this style: shaping the general situation of the average person, dissolving the typical, making the characters’ personalities marvelously unspeakable, and starting the established orbit of individualism in a fair and reasonable manner. This paper, taking the novel “The Little Red Garden of the Garden” as an example, illustrates Wang An-yi’s use of anti-conceptualization techniques. By digging out the unique trivialities of ordinary people and solving the usual conceptualized reading expectation, A certain degree of maturity and artistic effect.