《红楼梦》中香菱与黛玉论诗,谈到了读诗时初有“无理”之感,但经过仔细品味之后,又觉“有情有理”,这种由“无理”到“有理”的感受过程正是俄国形式主义理论的核心——陌生化诗学所倡导的审美特征。“无理”是相对的,是人们在直觉的或直观的阶段感觉到事物的形象不合传统,不合规矩,也就是“无理”。当人们欣赏思考时,却又发现自己熟悉的事物有另一种形式,并且揭示了事物特征的另一方面,进而便生成了“有理”之感。这种从“无理”到“有理”的获得美感经验的过程是无穷尽的。 In “A Dream of Red Mansions”, both Xiangling and Daiyu talk about the feeling of “unreasonableness” at the beginning of reading poetry. However, after careful taste, they also feel “sensible and rational”. This feeling of “unreasonableness” to “reasonableness” The process is precisely the core of Russian formalism - the aesthetic characteristic advocated by defamiliar poetics. “Irrationality” is relative. It is people who perceive the image of something out of tradition and out of step at an intuitive or intuitive stage, that is, “unreasonableness.” When people appreciate thinking, they find that they have another form of familiarity and reveal the other aspect of the characteristics of things, thus creating a sense of “reason.” This process of obtaining aesthetic experience from “unreasonable” to “rational” is endless.