传依吴道子画稿所刻的《观音像》存世颇多,自清代学者工布查布在《佛说造像量度经》引言中认定四川阆中南部县文管所藏《白衣观音像》碑的样本为吴道子所作,当代学者亦大多持认同的态度。例如,杨庭慧在《画圣吴道子与〈观音像〉石刻》一文中即从绘画风格角度肯定此作为吴道子风格,1此外,袁有根在二十世纪末和本世纪初曾两度作文,2道子以吴道子入蜀的角度认定该图为作品,并认为四川阆中南部县文 According to the introduction of Wu Daozi’s painting, “Guanyin” has a long history of surviving. Since the Qing Dynasty scholar Buchab in the introduction of “Buddha Statues” The sample was made by Wu Tao-chih and most contemporary scholars hold the same attitude. For example, Yang Tinghui affirmed this as a Wu Dao-zi style from the perspective of painting style in his article “The Paintings of Stone Inscriptions of Wu and Taoist Temples” 1 In addition, Yuan Yougen wrote his essays twice in the late twentieth and early twentieth century, Wu Daozi into Shu point of view that the picture is a work, and that the South Sichuan Langzhong county text