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丰富的人物对话是洪尚秀电影作品一个显著特征,国内研究通常以其作品的整体叙事方式为出发点,从“洪式”推拉镜头语言来分析,或者从影片中男性角色特征来解析,很少以影片人物的话语作为出发点,本文参考了前人对洪尚秀影片的叙事分析和镜头语言的探讨,引用影片中的对白话语作为主要研究对象,尤其是女性对话,作为探讨《独自在夜晚的海边》影片特征的补充。洪尚秀以女性作为关系网的中心来展开叙事,阐述爱情与道德之间千丝万缕的关系,而大量对白成为女主人公展示心理与剖析自我的手段。对于话语的运用,洪尚秀形成了自己独特的风格特征,本文就是以此为研究对象探讨洪尚秀影片的叙事特征。
Rich character dialogue is one of the most striking features of Hong Shangxiu’s film work. Domestic research usually takes the whole narrative mode of his work as the starting point, analyzing from the perspective of “Hong style” and the resolution of male character in the film. This article makes reference to the narrative analysis and the lens language of Hong Shangxiu’s films by the predecessors, cites the dialogue discourse in the film as the main research object, especially the female dialogue, as a discussion of “ Seaside ”movie features added. Hong Shangxiu takes the female as the center of the network to start the narrative, elaborates the inextricable relationship between love and morality, and a large number of dialogues become the means of the heroine to show his psychology and to analyze himself. For the use of discourse, Hong Shangxiu formed his own unique style features, this article is based on the study of Hong Shangxiu narrative features of the film.