此补缺拾遗之作也。写作动机得从上一部拙著的秃尾巴谈起。一九九三年,我写了《书法美学新探》一书,沦述书法之美的本源、构成、功用、风格的类型及时代书风的演化轨迹。全书十五万字,只在稿件结尾以一百多字笼统地谈及对书法前景的展望。并以七律一首结束全书: 书似长江永向东, 千流万派势溶溶。鼎铭大 Supplements for this fill vacancy as well. Writing motivation to talk about from a clumsy bald tail. In 1993, I wrote a new book, “A New Exploration of Calligraphy Aesthetics”, which delineates the origin, composition, function and style of calligraphy and the evolutionary trajectory of the style of calligraphy. The book 150,000 words, only at the end of the manuscript with more than one hundred words talk about the general prospects of calligraphy prospects. And to end the book with seven rules and one law: the book like the Yangtze River to the east, thousands of thousands of thousands of potential dissolved. Ding Ming big