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众人合集、60年选本,呈现出明显的代际特征。50年代成长起来的诗人,承应着时代的节奏,诗的脚步稳健、踏实,反复锤炼的字句、较为严整的韵脚、经典的比喻、优美的意象,构成其特色。入选该卷而堪称代表作的,大都是“文革”后的作品。“50后”诗人是包头诗坛的中坚力量,呦呦诗社成员大都属于这个年龄段。他们接受了理想主义混杂着伪理想主义教育,激情涂抹了心灵底色,培植了诗人基因。“60后”接受了较完整的教育,玉成了较合理的知识结构,赶上了诗歌领域里不同向度多极探索的时期。入选的“70后”诗人不多,基数就小了。面临多元选择,诗人改弦更张,分流而去。
The collection of people, 60 years of anthology, showing a clear intergenerational characteristics. The poets who grew up in the 1950s inherited the rhythm of the times, the poem’s steady, steady and repetitive words, the rhythmic rhyme, the classic metaphor and the beautiful image constitute their own characteristics. The selection of the volume and called the masterpiece, mostly after “Cultural Revolution ” after the work. “After 50” poet is the backbone of Baotou poetic circles, Yo-yo poetry community members mostly belong to this age group. They accepted the idealism mixed with pseudo-idealist education, the passion applied the spiritual background, cultivate the poet gene. After 60, he received a more complete education. Jade became a more reasonable knowledge structure and was able to catch up with the exploration of different directions and multipolarities in the field of poetry. The selected “70 ” poet not much, the base is small. Faced with multiple choices, the poet will change its course and divert it.