论文部分内容阅读
“电影大国不是我们的目标,只有成为名副其实的电影强国,同时为建设文化强国起到了重要作用,才是我们的目标”一部中小成本电影《失恋33天》上映不久票房超过3亿,打败同期上线的好菜坞大片《铁甲钢拳》。近年来,国产影片佳作不断,其中不乏如《唐山大地震》等既赢得观众口碑,又让投资方赚得盆满钵满的影片。不难看出,在中国的电影市场,已不再是进口商业大片独领风骚了,国产电影在经历了数年的低迷、调整后平稳崛起,我国电影产业进入了一个发展繁荣的阶段。中国电影家协会分党组书记康健民,在媒体的追逐中曾数次表示,中国迎来了国产电影的黄金发展机遇期,现在正
“A movie power is not our goal, only to become a veritable movie power, at the same time to build a cultural powerhouse has played an important role, it is our goal ” a small and medium cost movie “romance 33 days” released soon after the box office more than 300 million, Over the same period on the line to defeat a good crop dock “iron steel fist.” In recent years, domestic film masterpiece constantly, many of them such as “Tangshan Earthquake” both won the audience word of mouth, letting investors earn pours film. It is not difficult to see that in the Chinese film market, it is no longer dominate the import of commercial films, domestic film experienced several years of downturn, the steady rise after adjustment, China’s film industry has entered a stage of development and prosperity. Kang Jianmin, the party secretary of the China Film Critics Association, said in the chase of the media several times that China ushers in a golden opportunity for the development of domestic films. Now it is