Ancient Chinese design art contains endless philosophical meaning and deep aesthetic imagery,however,its ideographic system emerged through the simple laws of Image Formation and evolution of the nature of design practice.The ancient Chinese design art has formed a unique ideographic system,influenced by oriental culture,from primitive touching,observation and perception,to its meditation,association and experience,and that of its merging,dedicating and transcending.Through the reading of China ancient cultural pluralism form and the analyzing of specific design art phenomenon,to highlight the aesthetic image of the spiritual home of dwelling and mental imagery in ancient history under the Chinese aesthetic category.In the era of western and oriental art culture blend and diversification,we’ll examine and ascertain the depth of the subtle of archaic Chinese design art,in order to achieve artistic contemplation. Ancient Chinese design art contains endless philosophical meaning and deep aesthetic imagery, however, its ideographic system emerged through the simple laws of Image Formation and evolution of the nature of design practice. The ancient Chinese design art has formed a unique ideographic system, influenced by oriental culture, from primitive touching, observation and perception, to its meditation, association and experience, and that of its merging, dedicating and transcending. Through the reading of China ancient cultural pluralism form and the analyzing of specific design art phenomenon, to highlight the aesthetic image of the spiritual home of dwelling and mental imagery in ancient history under the Chinese-medusa category. the era of western and oriental art culture blend and diversification, we’ll examine and ascertain the depth of the subtle of archaic Chinese design art, in order to achieve artistic contemplation