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清代雍正、乾隆完成改土归流后,在西南少数民族地区建立和完善官庙,并对官庙祭祀礼仪进行规范和对音乐进行规范,其中湘西官庙是最具有代表意义的。湘西官庙的建立是为了贯彻以庙治苗、以庙治蛮的教化主张,通过对乐章、舞器、舞生做出严格规范,民众到庙里去祭祀必须按照图册规定的礼仪、规定的乐歌和舞蹈进行祭祀,乐歌和舞蹈因此而由局部省减逐步发展演变为民间祭祀的音乐与舞蹈。湘西民间音乐舞蹈的这种演变充分体现了雍乾隆年间改土归流后西南少数民族文化与中原官方文化的融合。
In the Qing Dynasty, Emperor Yongzheng and Emperor Qianlong completed the reform of the government, and established and perfected the official temples in the southwest minority areas. They also standardized the rituals of the temples and regulated the music. Among them, the temples in Xiangxi were the most representative. The establishment of the temple in western Hunan is to carry out the principle of treating the temple with the temple and the temple with the rule of the brutalization of the temple. Through strict rules on the movement, dance and dance, the people go to the temple to sacrifice in accordance with the etiquette stipulated in the album Songs and dances are sacrificed. Songs and dances are gradually reduced from local provinces to folk ritual music and dances. The evolution of folk music and dance in western Hunan fully reflects the integration of southwestern ethnic minority culture and Central Plains official culture after the reign of Emperor Qianlong.