关于表现型艺术的理论与作为视觉艺术典型的绘画的表现型实践均始于西方 19世纪末 2 0世纪初 ,而我们在这方面的实践早于他们数千年 ,这就是汉字的书法艺术。汉字虽然来源于象形 ,但作为书法艺术 ,它早已超越造型而进入了一个纯表情领域 ,原先来源于象形的点画已经变成了一种几乎与其内容和象形的对象物脱离的纯表情符号 ,这种符号既不是对客观事物的模拟 ,也不是对汉字内容的形象化 ,而只是以其本身形态和运动对主体情感的比拟 ,只是人们情感律动的对应物。书法艺术虽然属于视觉艺术 ,但是它同作为听觉艺术的音乐有着更同质的联系 The theory of phenomenal art and the phenomenal practice as the typical painting of visual art both began in the late 19th century and the early 0 0s in the West. Our practice in this field took them thousands of years. This is the calligraphic art of Chinese characters. Although the Chinese characters come from the pictograph, as the calligraphy art, it has gone beyond the modeling into a pure expression field. The original painting from the pictograph has turned into a purely emoji that is almost separated from its contents and object pictographs. The symbol is neither the simulation of objective things, nor the visualization of the content of Chinese characters, but the comparison of the emotions of the subject with its own form and movement, only the correspondence of people’s emotional rhythm. Although the art of calligraphy belongs to the visual arts, it has a more homogeneous connection with music as the art of hearing