凡事皆有度,文学翻译也不例外。文学翻译的标准向来被认为是最具模糊性、最具争议性的,有人主张译文力求忠实,原文至上;有人主张发挥译语优势,超越原文。公说公有理,婆说婆有理,争来争去,终无定论。当然,争论的焦点无非是译文有没有权力偏离原文。本文所议论之文学翻译中的再创造,即指译文有意或无意偏离原文的现象。 Everything is good, literary translation is no exception. The standard of literary translation has always been regarded as the most ambiguous and controversial. Some people hold the view that the translation should be faithful and the original text should come first. Some people advocate that translating the advantage of translating beyond the original. Public said the public, the woman is reasonable, strive to fight, and ultimately inconclusive. Of course, the focus of the debate is simply whether the translation has the power to deviate from the original. The re-creation in the literary translation discussed in this article refers to the phenomenon that the target language is intentionally or unintentionally deviated from the original text.