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绘画艺术语言从来就不仅仅是视觉刺激或对客观表象的简单摹写。经验、知识、情感等因素往往会影响视知觉,以至有意无意地“歪曲”客观,这里的“歪曲”不但必然而且必要。没有一个艺术家能纯客观地“画其所见”,绘画艺术语言自产生之日起即是人类表达认识、情感、欲念和理想的感情精神符号。艺术精神依赖艺术语言发生作用,精神的体验、深化亦靠语言的感性体悟来把握。绘画艺术语言的发展不仅是视知觉的变革,更是艺术精神的深化。只有进入语言状态,并在精神内动力驱使下,才有可能得到艺术本体的发展。
The language of painting art has never been more than a visual stimulus or a simple depiction of objective representations. Experience, knowledge, emotion and other factors often affect visual perception, and even intentionally or unintentionally “distort” the objective. The “distortion” here is not only necessary but necessary. No artist can “paint what he sees” purely objectively. The art language of painting, since its birth, is the spiritual symbol of humankind’s expression of understanding, emotion, desire and ideal. Artistic spirit depends on the artistic language, the spiritual experience, deepening depends on the perception of the language to grasp. The development of the art language of painting is not only the change of visual perception, but also the deepening of artistic spirit. Only by entering the state of language and driven by the inner motivation of the spirit is it possible to obtain the development of the artistic noumenon.