自20世纪80年代末至今,我国著名的作曲家王志信创作了一系列民族声乐作品。其中,对我国传统女性我打形象的塑造,可以说是其作品一个十分突出的艺术特点。本文力图从音乐本体的创作,以及对比统一的音乐创作手法两个方面着重阐述这一艺术特色。 Since the late 1980s till now, Wang Zhixin, a famous composer in our country, has created a series of national vocal works. Among them, the shaping of the image we play for the traditional Chinese women can be regarded as a very prominent artistic feature of their works. This article tries hard to elaborate this artistic feature from two aspects of the creation of music ontology and the comparison of unified music creation techniques.