在紀念世界文化名人、我国戏剧家关汉卿戏剧创作七百年的时候,在北京——元朝的大都,中国京剧院二团和三团,分别演出了他的名著《智靳魯斋郎》(馬少波、范鈞宏改編)和《五侯宴》(馬少波、景孤血改編),这是非常有意义的。这两个戏对原著都进行了必要的改編,在情节与人物上散了比較恰当的丰富或删减。在主題思想方面,都保留了原著的精神。《智斬鲁斋郎》一剧,在情节与人物性格方面丰富的比較多一些。它更鲜明地突出了原著所要表現的封建貴族对平民的欺压与凌辱,突出了人民的反抗性,包公智慧大胆、为民除害的精神。改編者在这个戏中,增加了四、五埸好戏。比如在鋇匠李二的妻子被魯斋郎搶走以后,这里加了一个过埸:魯斋郎在馬上挾持着这个妇人加鞭急馳,而她却一直在掙扎着、嘶喊着:“……乡亲們快快把馬拦。不顧生死挣脫命!”这样既能在地点上显示出了是由許州馳馬到汴梁,同时也有力地刻画了李二妻的反抗情緒。寥寥的几句唱和这个簡短的过場,便耠这个人物在以后能够去告状,能够有“不 In commemoration of world cultural celebrities, Chinese theater dramatist Guan Hanqing seven hundred years of drama creation, in Beijing - the majority of the Yuan Dynasty, China Peking Opera two groups and three regiments, respectively, performed his famous “Chi Jin Lu Zhai Lang” (Ma Shaobo, Fan Junhong Adapted) and “five feast” (Ma Shaobo, Jing Guxing adapted), it is very meaningful. Both of these two plays make the necessary adaptations to the original works, with more appropriate enrichment or deletion in the plot and characters. In the theme of thought, have retained the original spirit. “Chi Zhaolu Zhaolang” a drama, in the plot and character more abundant. It highlights the oppression and abuse of civilians by the feudal aristocrats to be more vividly highlighted, highlights the resistance of the people, the boldness of the people and the wisdom of the public and the removal of poison from the people. Adapters in this drama, an increase of four or five 埸 good show. For example, after Barry Lee’s wife was taken away by Lizai Rumyon, there was an overdone here: Lizai Lang immediately took the woman to whipping away vigorously while she struggled screaming: “...... folks who quickly barricaded horse. Regardless of life and death to get out of life!” This will not only show the location from Xuzhou to Ma Liang Liang, but also effectively depicts the revolt of Lee’s wife. A few words of singing and this brief scene, then the character in the future to be able to complain, to have "no