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“在百老汇,1美元的票房可以带动10美元的附加消费,剧场经济圈的效应非常明显。这种经济圈在中国完全可以复制,采取音乐剧与商业地产合作的方式,实现从音乐剧消费前端到终端的一条龙服务。”采访中,七幕人生CEO杨嘉敏向《经济》记者谈及我国音乐剧未来的产业生态时,描绘着这样的愿景。但在实现这个愿景的过程中,有哪些桎梏需要解决?未来音乐剧的路该怎么走?激活受众,怎么做?“文化消费往往滞后于物质消费。与电影票价
”On Broadway, the $ 1 box office can drive $ 10 in additional spending and the effect of the theater economy is obvious.“ This economic circle is completely replicable in China, using a combination of musical and commercial real estate, Front-to-end through-train service. ”In the interview, Yang Jiamin, the CEO of the Seven Scenes, portrayed such a vision when he spoke to the Economist about the future of our musical industry. However, in the process of realizing this vision, what are the problems that need to be solved? How should the future of musical drama go? Activate the audience, how to do? "Cultural consumption often lags behind material consumption.