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雕塑作为满足人们审美又具有实用性的一种艺术,在19世纪的欧洲可以说是艺术生活的一种特殊存在。这个时期的欧洲,诞生了不少杰出的雕塑家,他们在塑造凝固的一种道德观念和美的同时,还塑造了一种不可言说的向往之情,以此满足人的精神需要,从而表达人类追求的理想或者美好的感情。罗丹作为19世纪和20世纪初最杰出的法国雕塑家,是欧洲雕塑史上仅次于菲狄亚斯和米开朗基罗的第三个顶峰,他的作品至今仍深刻地影响着当代艺术。本文重点研究罗丹雕塑受到后世推崇的原因,分析罗丹雕塑中存在的审美倾向。希望可以借此进一步为当代艺术从事者提出有参考价值的艺术指导。
As a kind of art that satisfies people’s aesthetic and practicality, sculpture can be said to be a special existence of artistic life in Europe in the 19th century. In this period of Europe, a number of outstanding sculptors were born. While they shaped a kind of moral conception and beauty, they also shaped an unspeakable yearning to meet the spiritual needs of human beings so as to express humanity The pursuit of the ideal or beautiful feelings. As the most prominent French sculptor in the 19th and early 20th centuries, Rodin was the third peak in the history of European sculptures after Filias and Michelangelo. His works still exert a profound influence on contemporary art. This article focuses on the reasons why Rodin’s sculptures were praised by later generations and analyzes the aesthetic tendencies that exist in Rodin’s sculptures. It is hoped that this will further provide art directors with reference to contemporary art practitioners.