一、引言在3月遭遇女性话题,似乎已成了惯例。这是危险的。女性问题近世经过各色运动、讨论,变得越来越复杂。它不再是一个简单的权利诉求,更多的是女性对身份性别的多重确认。而每个3月的女性话题浪潮,滑进节日经济的逻辑里,常常变成一份混杂了脂粉、哀怨和猎奇的女性特辑,太容易使这个话题标签化,也太容易使这个话题简单化。《画刊》杂志历来关心女性艺术的话题,也是最早向读者介绍女性主义艺术的媒介,尽管如此,翻阅历期有关女性主义艺术或日女性艺术的《画刊》杂志,仍然显露出碎片化的倾 I. INTRODUCTION Encountering women’s issues in March seems to have become the norm. This is dangerous. The issue of women has become more and more complicated through various kinds of sports and discussions in the near future. It is no longer a simple entitlement to rights, but more is the multiple recognition by women of their gender. And every march of women’s conversation, sliding into the logic of the economy of festivals, often turns into a feminine mix of powder, sadness and curiosity that makes it easy to label the topic and makes it easy to make the topic easy . Pictorial magazine, which has always been concerned with the art of feminism, is also the earliest media to introduce feminist art to its readers. Nevertheless, the magazine Pictorial magazine, which is about feminist art or Japanese women’s art, still reveals fragmented pour