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中原是中华木雕艺术的发源地,远在在龙山时期(距今4500年),已掌握了拼板、榫卯、装鋬等技术,出现了鼓、斗、觚、匣、案、俎、盘、勺等后世常用木器的基本器形和装饰纹样。夏商周三代中原木作业飞跃发展,门类更多样,分工更专业,造车业和漆木器已成为中原地区手工业生产的重要门类,并已开始对木作技艺进行理论化总结,产生了《考工记》这一伟大著作。及至战国、秦汉,中原地区把古代漆木器的制作、装饰推向了一个空前的高度,使得这一时期成为中国漆木器艺术史上的一个高峰。唐宋时期,不仅是中国古代建筑发展成熟更是建筑理论的巅峰时期,产生于中原的《营造法式》,集中反映了是中原木作技术与理论对世界建筑界、木作工艺界作出的伟大贡献。明清时期中原木雕上承唐宋,在雕刻技艺手法还是创作题材上有所创新和发展,中原地区会馆建筑雕刻艺术冠绝一时。
Central Plains is the birthplace of Chinese wood carving art. As long ago as the Longshan period (dating back 4500 years), it has mastered the techniques of puzzle, tenon and dunnage, and has emerged as a drum, bucket, sword, box, case, sword, , Spoons and other common wooden basic shape and decorative patterns. In the Xia, Shang and Zhou dynasties, woodworking operations in leapfrog development, more diverse categories, more specialized division of labor, making cars and lacquers have become an important category of handicraft production in the Central Plains region, and has begun to make theoretical summaries of woodworking techniques, resulting in a “ Kaogongji ”this great book. And to the Warring States, Qin and Han Dynasties, the Central Plains region to the ancient lacquer production, decoration to an unprecedented height, making this period become China’s lacquer art history of a peak. During the Tang and Song dynasties, not only was the ancient Chinese architectural development matured, but also the peak of architectural theory, which originated in the Central Plains of “creating a French style,” which concentratedly reflected the great contribution made by the Central Plains Wood Technology and Theory to the world architectural and wooden arts and crafts industries contribution. During the Ming and Qing Dynasties, the Central Plains carved wood carved on the Tang and Song dynasties, and made innovations and developments in the art of carving techniques or creative themes.