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2012年末,《泰囧》在票房上的成功有目共睹,有人说这是发行与营销的成功。没错,一部商业片的成功一定离不开这两点。但我最大的感悟是:这部电影再一次证明了“按电影规律讲故事”的成功。记得宁浩在谈到《疯狂的石头》时,说他的剧本是“用算盘计算出来的”。六年后,对于《泰囧》,导演徐峥也讲了同样的话,“我的电影是设计出来的。”《泰囧》这部电影虽然还是存在着一些问题,有些细节甚至让人觉得多余,很多情节也过于刻意,但作为徐峥的第一部电影,在故事结构的设计上已相当了得,看似随意的设计都能找到呼应,很少散落在结构之外。借着《泰囧》话题的余温,我们将从影片的主题、人物设计、故事结构来解构这部电影。
The end of 2012, “Thai embarrassing” success at the box office for all to see, some people say that this is the success of distribution and marketing. Yes, the success of a commercial must be inseparable from these two points. But my biggest comprehension is that this movie once again proves the success of “telling stories by movie”. I remember Ning Hao talking about “crazy stone”, said his script is “calculated with the abacus ”. Six years later, for “Thai 囧,” Director Xu Zheng also made the same remark, “My movie is designed.” “Thai 囧” Although the movie still has some problems, some of the details even make people think Excess, a lot of plot is too deliberate, but as Xu Zheng’s first movie, the design of the story structure has been quite decent, seemingly random design can find echoes, rarely scattered outside the structure. With the warmth of the topic “Tai 囧,” we will deconstruct the movie from its theme, character design and story structure.