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唐代是中国古代音乐发展的重要阶段,这一时期音乐的主体是以歌舞大益为主的宫廷乐舞。笔者通过对《全唐诗》中有关乐舞诗句的梳理,详细剖析它所反映的唐代宫廷乐舞活动形式与内容,以期揭示唐代宫廷乐舞文化的鲜明特点。《全唐诗》是中国规模最大的一部诗歌总集,清康熙四十四年(公元1705年),由曹寅、彭定求、沈立曾、杨中讷等奉敕编纂,全书共九百卷,收录唐代两千多位诗人四万两干多首诗作。面对浩如烟海的唐诗,清本《全唐
The Tang Dynasty was an important stage in the development of ancient Chinese music. During this period, the main body of music was the court music and dance with the great benefit of singing and dancing. Through combing the verse of “Dan Tang” in the “full Tang poems”, the author analyzes in detail the form and content of the court music and dance activities in the Tang Dynasty, in order to reveal the distinctive features of the court music and dance culture in the Tang Dynasty. “Quan Tang poetry” is China’s largest collection of a total of poetry, Qing Emperor Kangxi forty-four years (AD 1705), by Cao Yin, Peng Dingqiu, Shen Lizeng, Yang Zhongneng and other compilation, a total of nine hundred volumes, included More than two thousand poets in the Tang Dynasty performed more than 40,000 poems. In the face of a vast pool of Tang poetry, the "total Tang