画面左边虬曲长松斜冲出,到达画面正中顶部后,松枝才转折而返,回望松下的山巅断崖。崖上青青草色,左边石案上摆放着纸砚,童子在旁侍立。朱栏曲折,一士人倚栏回首,远望天空中一白鹤飞来。右下瘦石拳拳,旁有清秀疏竹为屏。此画笔法中正凝重,设色朴素,墨色浓淡变化相宜。图左下有“臣马远”款,从笔迹来看,是后人添加,但不失为马远画派的佳作。 Long song slanting song on the left ramp obliquely out of the middle of the screen to reach the top, the pine branches turned around and look back at the mountain cliffs Matsushita. Cliff green grass, stone case on the left placed paper Yan, boy standing beside. Zulan twists and turns, a man lean against the column, a crane flying in the sky. Right lower lean stone boxing, next to an elegant bamboo for the screen. This painting method is dignified, simple color, ink color change affordable. The bottom left of the figure, “Chen Ma Yuan ” section, from the handwriting point of view, is a posterity to add, but after all, a masterpiece of the Ma Yuan School.