论文部分内容阅读
动画电影属于电影这个大门类,同时又是一门独立的艺术形式,与其他艺术一样不仅反映着我们的生活,同时自身也是艺术不可或缺的一部分。现代动画设计不单保留了动画的娱乐型和教育性,同时上升到了人文的高度。创作者的人生观,世界观,历史观,艺术观都在其作品中有着明晰的脉络。本文以宫崎骏动画为例采用形象学,符号学,心理学的视角对其设计思维进行分析探究深层结构和动画造型的符号意义以及其审美价值。
Animated films belong to the movie category, but also an independent form of art, as with other arts not only reflects our lives, but also is an integral part of the arts. Modern animation design not only retains the entertainment and educational animation, at the same time rose to humanistic level. Creator’s outlook on life, world outlook, history and art have a clear context in their works. Taking Miyazaki Hayata animated as an example, this paper analyzes the design thinking from the perspective of imageology, semiotics and psychology to explore the symbolic meaning and aesthetic value of deep structure and animation modeling.