抗战时期 ,众多的美术团体、院校和美术家 ,迁徙至以重庆为中心的大后方 ,使大后方成为战时美术最为活跃的区域。这一局面的形成 ,不仅与四川特殊的地理环境为美术家提供了相对安稳的生活创作条件有关 ,更重要的是文艺界抗日民族统一战线的形成 ,特别是中共南方局对抗日美术运动的关注与支持 ,为美术的繁荣营造了必要的政治氛围。美术家们在救亡旗帜的引导下 ,创作热情高涨 ,在中国现代美术史上写下了绚丽的篇章 During the war of resistance against Japan, many art groups, academies and artists migrated to the rear centering around Chongqing, making the rear area the most active area of ​​wartime art. The formation of this situation is not only related to the fact that the special geographical environment in Sichuan provides artists with relatively stable living conditions, but more importantly, the formation of the anti-Japanese national united front in the literary and arts circles, especially the Southern Bureau of Anti-Japanese Art Movement of the CCP And support for the art of prosperity to create the necessary political atmosphere. Under the guidance of the banner of saving the nation, artists have enjoyed a passion for writing and have written brilliant chapters in the history of Chinese modern art