本文试图通过引入思辨实在论(Speculative realism)的相关思考,重新考察电影与物(Thing)之间复杂及模糊的本体关联。电影长久以来作为带有意识形态色彩的主体化工程,抑或以认知作为核心架构的美学范式,其实都将“非人”的存在,即物排除在电影理论的话语范畴之外。这篇论文作为一个庞大研究工作的初步尝试,希冀以物作为某种贯穿始终的线索,反转电影理论史中以主体中心的结构,从而获取一种以客体为导向的电影理论模型的可能。 This article tries to reconsider the complex and vague ontological connections between film and Thing through the introduction of speculative realism. For a long time, as a subjective project with ideological color or aesthetics paradigm taking cognition as its core structure, the film has actually excluded the existence of “inhuman”, that is to say, from the discourse of film theory. As a preliminary attempt of a huge research work, this paper hopes to use the material as a clues throughout, to reverse the structure of the subject center in the history of film theory so as to obtain the possibility of an object oriented film theory model.