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自20世纪80年代以北京人艺演出的《绝对信号》为标志的小剧场运动至今的30多年里,我国的小剧场戏剧经历了从反叛、实验到回归传统,从非主流艺术到主流艺术,从精英化的小众艺术走向通俗化、大众化的艺术。特别是近几年随着文化产业化、市场化、商品化的变革,剧院团的改制和民营生产资本的融入,推动了小剧场戏剧迅速在全国普及、兴盛起来,一时间几乎所有的省、市、地区都建设小剧场,几乎所有的剧院团都创作或搬演小剧场戏剧,民营剧团则基本是以创演小剧场戏剧为主。在各地小剧场戏剧如“井
In the more than 30 years since the movement of the small theater marked by the ”absolute signal“ of the Beijing Art Performance in the 1980s, our theater has experienced from rebellion, experiment to return to tradition, from non-mainstream art to mainstream art, From elite niche art to popularization, pop art. Especially in recent years, along with the cultural industrialization, marketization and commercialization, the reform of the theater troupe and the integration of private productive capital have promoted the popularization and flourishing of theatrical theater in the whole country. Almost all the provinces, In cities and areas, small theater buildings are constructed. Almost all theater groups create or play small theater and theater productions. Private theater groups are mainly based on creating small theater and theater productions. In various theater plays such as ”Well