“文化批评”的风起云涌和盛衰沉浮是20世纪80年代以来中国电影批评界一个重要现象。近年来,中国电影批评界和以大卫.波德维尔的“大理论”批评为代表的西方电影批评界,涌动着对文化批评的较为激烈的反思潮流。对电影批评的困惑、反思和希图重建,是一个中外皆然,带有普遍性意义的重要问题。本文结合对大卫.波德维尔的观点的反思,通过对80年代电影文化批评的客观分析和总结,结合当下电影批评的态势和新变,评价文化批评的成败得失及在当下电影批评格局中可能产生的价值和发挥的作用。本文认为文化批评虽然落潮,但从未消失,其方法、精神成为今天电影批评的遗产、传统和有机组成。 The rise and fall of “cultural criticism” is an important phenomenon in Chinese film criticism since the 1980s. In recent years, criticism circles in the Chinese film industry and criticism of the Western film represented by David Bodewell’s theory of “big theory” surged forward with a more intense trend of reflection on cultural criticism. Perplexity, introspection and reconstruction of the film criticism are important issues of universal and universal significance both at home and abroad. Based on the reflection of David Boddeville’s point of view, this article evaluates the success or failure of cultural criticism through the objective analysis and summary of the criticism of film culture in the 1980s, combined with the current situation and new changes of the film criticism, Possible value and role to play. This paper argues that although cultural criticism ebb tide, it has never disappeared. Its method and spirit have become the legacy, tradition and organic composition of today’s film criticism.