罗荣寿在《相声表演漫谈》中指出:“相声占说学逗唱这四门口技,就是模仿曲艺八角鼓里的特点……这种曲种从它的形式上讲,是以唱为主,以说当先。不管它是学,或者是唱,在它的正题开始之前总是先说一个垫场的小段,说完之后才进入正题,所以它占有说字。它的学是双学一人,名为‘双簧’;前面也使铺场小段(是又说又学),学是主科。逗是使用熟练的艺术语言技巧,引出丰富多彩的艺术笑料。唱是它能唱出各地不同的各种曲调。相声用不着乐器伴奏,所以它只用八角鼓里的说学逗唱这四门口技,来充实和丰富上演的节目。”诚如罗先生所言,从历史发展的角度看,相声的说学逗唱与全堂八角鼓有密切关系;也可以说,全堂八 Luo Rongshou pointed out in his talk about the comic dialogue: “The comic theory occupies the four port skills of singing and telling, which is to imitate the characteristics of the aniseed octagonal drum... This kind of song is mainly based on singing in its form, To say that first, whether it is learning or singing, before the beginning of its topic is always a short paragraph of a pad, after entering the subject only, so it holds that the word of its learning is a double study, Known as the ’double spring’; the front also makes the paved small section (is to say and learn), learning is the main subject.Judge is the use of skilled art language skills, leads to a variety of colorful art jokes. Sing is it sing all over the different All kinds of tunes.Communication without the accompaniment of musical instruments, so it only use octagonal drums to learn to sing the four door skills, to enrich and enrich the program staged. ”" As Mr. Luo said, from a historical perspective Comic dialogue and comic singing all the octagonal drum has a close relationship; can also be said that all eight