《伤逝》作为鲁迅唯一的一部爱情小说,其极具现代性的阐释空间使人们往往忽略了其中传统文学的因子,如“私奔”的叙事模式。在与《杜十娘怒沉百宝箱》等传统爱情小说的比较中,不难发现,正是在“故事”与“新编”的张力之中,《伤逝》获得了如此言说不尽的审美内涵。 As the only love story of “Lu Xun”, Lu Xun ’s most modern interpretation spaces make people often overlook the factors of traditional literature, such as “elope” narrative mode. In comparison with the traditional romantic novels such as “Du Shiniang Fury”, it is not hard to find out that it is exactly in the tension between “the story” and “new” Aesthetic connotation.