中国的山水画家,向有“驱山走海”的本领。李白在诗中,对此曾赞不绝口。中国传统的山水画,“舍取”自由,画家对于舍,有的不只是舍一草一木一石,也不只是舍去一座山,可以在画面上舍去大自然的一个空间。南宋的马一角、夏半边,其所表现,便具有这种特点。譬如说,平常看 Chinese landscape painter, to have a “drive the sea to go,” the ability. Li Bai in the poem, had praised this. Traditional Chinese landscape painting, “to” freedom, painter for homes, and some not just homesteads and trees, nor does it just abandon a mountain, you can give up in the picture of a space of nature. Southern corner of the horse, the summer half, its performance, they have this feature. For example, usually look