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现实主义创作手法是杨映川小说创作的主要方式,她的小说刻画了在21世纪中国现代都市大背景下,诸多在物欲与爱情之间痛苦交织的男女形象,特别是打造了一系列游走在都市爱情中的女性形象群。本文尝试从生态女性主义批评视域观察杨映川小说中的女性,以《淑女学堂》这部长篇小说为例,通过对文中女性形象生命原型的审视和解读,打破男性与女性强弱分明的二元对立,实现女性的文化自觉和性别自觉。
The realistic creation method is the main method of Yang Yingchuan’s novel creation. Her novel portrays the images of men and women bitterly intermingled between materialism and love in the background of modern Chinese city in the 21st century, especially creating a series of images of women and men walking in the city Female image group in love. This essay attempts to observe women in Yang Yingchuan’s novels from the perspective of ecofeminist criticism. By taking the novel “Lady School” as an example, I examine the interpretation of the prototype of the female image in her works to break the duality between male and female Opposition, to achieve women’s cultural awareness and gender consciousness.