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本论文以17世纪至19世纪初的欧洲、俄罗斯、澳大利亚等有影响的油画风景画流派、画家及其风格为研究对象,在全面研究文献、图象资料的基础上,立足于中国传统的美学思想和中国山水画艺术雄厚的土壤。主张把研究、创作和教学结合起来,在研究学习西方油画风景画艺术的同时吸收中国山水画的滋养,为中国油画风景画艺术的教学实践作初步的尝试。论文第一章为风景画的基本概念和勾勒出17世纪至19世纪初的欧洲(荷兰、英国、法国、德国)、美国、澳大利亚、俄罗斯的有重大影响的主要风景派和与之相关的历史背景;第二章论述风景画的内容,讨论中国山水画和油画风景画相近的艺术理想和精神;第三章联系实际教学,借鉴中国传统的山水画艺术的美学思想,特别是学习中国画的写意精神,第四章结合分析风景画大师的具体作品,研究油画风景画艺术的表达技巧。
Based on the comprehensive study of literature and image data, this thesis bases on the traditional Chinese aesthetics, including the schools, artists and styles of influential oil painting landscapes in Europe, Russia and Australia from the 17th century to the early 19th century. Thought and Chinese landscape art is rich in soil. Advocating the combination of research, creation and teaching, while absorbing the nourishment of Chinese landscape painting while studying the art of western oil painting landscape painting, I try for the initial attempt of the teaching practice of Chinese oil painting landscape art. The first chapter of the thesis is the basic concept of landscape painting and the major landscapes with great influence from Europe (Netherlands, England, France, Germany), the United States, Australia and Russia from the 17th century to the beginning of the 19th century and the related history The second chapter discusses the content of landscape painting, discussing the artistic ideal and spirit similar to Chinese landscape painting and landscape painting. The third chapter relates to the practical teaching, draws lessons from the traditional Chinese landscape painting aesthetics, especially the freehand spirit of Chinese painting, Chapter Four analyzes the concrete works of landscape master, and studies the expression skills of landscape painting.