云南少数民族故事片对塑造云南各民族形象、构建民族身份/认同、增强文化自信心和民族自豪感至关重要。建国初期的云南少数民族故事片按照国家主流意识形态的要求,构建了区别于传统民族身份/认同的国家身份/认同,各民族在接受并认同影片中自己民族镜像的同时认同了“镜像”描述的国家主体的身份。新时期以来,各民族以高度的民族自觉性和主体性参与了本民族电影的创作,关注民族文化的差异性和独特性,强调民族传统文化的原生性意义,强调各民族形象、个人生活经历和生命体验与其民族身份的一致性。按照消费文化逻辑创作的云南少数民族故事片,则构建了一个想尽可能获得更多观众认同的混杂的民族身份却得不到本民族观众认同。云南少数民族故事片有效构建民族身份/认同的关键在于:第一,民族身份/认同主体作为主创人员参与制作;第二,影片使用本民族语言的对白。 Feature films of ethnic minorities in Yunnan are crucial to shaping the image of ethnic groups in Yunnan, building their national identity / identity, enhancing cultural self-confidence and pride in their nationalities. In the early days of the founding of New China, the feature films of ethnic minorities in Yunnan built a national identity / identity that differed from the traditional national identities / identities in accordance with the requirements of the mainstream national ideology. All ethnic groups accepted and agreed with their own ethnic images in the film, Describe the identity of the national entity. Since the new period, all ethnic groups participated in the creation of this national film with a high degree of national consciousness and subjectivity, paying attention to the differences and uniqueness of national culture, emphasizing the original significance of traditional culture of the nation, emphasizing the image of each nationality and personal life experience And the consistency of life experiences and their national identities. The feature film of ethnic minorities in Yunnan created in accordance with the logic of consumer culture establishes a mixed national identity that is sought to gain as much audience recognition as possible but can not be endorsed by the national audience. The key to the effective construction of ethnic identity / identity in the feature films of ethnic minorities in Yunnan lies in the following aspects. Firstly, the national identity / identity subject participates in the production as a creative person. Second, the film uses the dialogue in its native language.