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孙曙:在我们对话之时,第九届茅盾文学奖正在评审,中国当代文学云端上的红门又一次缓慢打开,当代文学体制巨大而锈蚀的红色轮轴依然在转动。而同时,一部神幻影片《捉妖记》正创造共和国的票房纪录,超过五千五百万观影人次抬起了二十亿元的票房。影像专制的时代,文学在败退,在失效,文学作为建构世界的方式正被更多的人放弃。余亮兄,你成名于80年代中期的诗坛,
Sun Shu: At the time of our dialogue, the 9th Mao Dun Literature Prize was being reviewed. The red door in the clouds of contemporary Chinese literature was slowly opened again. The red corridor with a huge and corrupt contemporary literature system was still turning. At the same time, a magic film “Dream Monster” is creating a Republic box office record, more than 55 million viewers raised two billion yuan box office. In the era of authoritarianism, literature is regressing and failure, and literature is being abandoned by more people as a means of building the world. Yu Liang brother, you fame in the mid-80s poetry,