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去年6月7日,我在《南方日报》上发表了一篇短文,提出了关于粤剧子喉改革的建议。我们看到近几年粤剧界同仁在粤剧的改革方面做了大量工作,剧目内容有所更新,管理体制有所改善。这些大都属于外层的变化,粤剧改革的深化必须在内层上下功夫,在表演技艺上进行更新,才能适应现代观众的审美要求。我认为,粤剧艺术表演的改革,应以唱腔改革为核心,尤其要以改革子喉的唱法为突破口。粤剧的子喉和传统京剧的小生腔一样
On June 7 last year, I published an essay in Nanfang Daily and put forward my suggestion on the reform of the opera industry. We have seen that in recent years, Cantonese opera colleagues have done a great deal of work in the reform of Cantonese opera. The repertoire has been updated and the management system has been improved. Most of these belong to the changes of the outer layer. The deepening of the reform of Cantonese opera must work hard on the inner layer and be updated in performing arts to meet the aesthetic requirements of modern audiences. In my opinion, the reform of the performance of Cantonese opera art should focus on the reform of aria and, in particular, should take the reform of the method of singing the throat as a breakthrough point. Cantonese opera’s throat and traditional Peking Opera niche