论文部分内容阅读
笔者曾在2010年4月的一个午后,随二位画友来到仰慕已久的海上指画名家滕国俊的艺术工作室。滕君知道我们去,早已泡好上等的西湖龙井。然后,他费时五个月长2010厘米、高76厘米的指画长卷《世博盛会民俗之光》展示给我们看。手指画虽流传近千年,但只是一种文人墨戏的雕虫小技。而滕君穷经四十年既实践又理论,赋于指画与时俱进的新内容,终于在他的手指下营造了一个天趣生动、生机盎然的指画新天地,《世博盛会民俗之光》指画长卷就是一个佐证例子。该画被新闻界誉为“中国当代指画之最”。
In the afternoon of April 2010, I came to the artistic studio of Teng Guoshun, a famous oil painting artist who admired for a long time with two friends. Teng Jun know we go, already so good West Lake Longjing foam. Then, he showed us the five-month long 2010 cm, 76 cm high finger painting scroll entitled “The Light of Expo Folklore.” Although the spread of finger painting nearly a thousand years, but only a kind of literati ink carved small skills. And Teng Jun poor after forty years of both practice and theory, endowed with finger painting and advancing with the times of the new content, finally under his fingers to create a vivid, full of vitality of the new world of painting, “World Expo event folkloric light” Finger painting scroll is an example of evidence. The painting was hailed by the press as “the most contemporary finger painting in China.”