对于《牡丹亭》该剧的研究自该剧一诞生便一直持续。且该剧在当前仍旧具有重要的影响力。而作为西方哲学当中的马克思主义哲学的相关观点,在文化界仍旧具有重要的指导性意义。本文试图运用马克思美学和历史学的相关知识对该剧进行浅要分析,试图得出不一样得结论。 The study of The Peony Pavilion has continued since its birth. And the play still has an important influence in the present. And as the related viewpoints of Marxist philosophy in western philosophy, it still has important guiding significance in the cultural circle. This article attempts to use the Marxist aesthetics and history of the relevant knowledge of the play a minor analysis, trying to come to a different conclusion.