在现代作曲技法与观念近乎统领学院派音乐创作的当下,聆听新作品音乐会的过程逐渐转变为一种专业圈内听赏与分析并存的研究过程。听众饶有兴致地体会着新作品中锐意鲜明的观念与声响所带来的惊喜,创作者亦欣慰一次次推陈出新地尝试能够呈现出来并得到业界的共鸣。这种氛围下,鲜有人士去探讨音乐“听不懂”“不好听”的话题,而是更渴望在新作品中读懂作曲家赋予音乐内在逻辑、智慧与艺术的美感。 Nowadays, the process of listening to new works concerts is gradually transformed into a research process in which the professional circles listen and analyze coexist in the moment when the modern composition techniques and concepts almost dominate academic music creation. The audience, with great interest, realized the surprise brought by the sharp ideas and sound in the new works. The creators are also gratified that time and time again they will try to be able to present themselves and resonate with the industry. In this kind of atmosphere, few people talk about the topic of music “do not understand” or “bad taste”, but are even more eager to understand the composer’s conception of beauty, wisdom and art conferred by music composer in new works.