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在过去的一个世纪中,中国动画片在走“民族化之路”上有过辉煌灿烂的成就,众多作品在国际上频频获奖,“中国学派”更是广受赞誉。无论是内容还是表现手法上,“中国画派”的经典作品都具有强烈的中国传统民间美术的风格。近年来,中国动漫产业发展迅猛,但令人惋惜的是仍然没有一部具有中国特色代表性的扛鼎之作出现,相形之下反而是国外公司制作的中国风格的动画片在世界范围内大获成功,迫使我们必须重新审视我国动漫产业的未来发展,立足中国本土文化和民间传统艺术,提升作品自身的文化高度,才是中国动漫产业复兴的必经之路。
In the past century, Chinese animation films have had brilliant achievements in taking the road of nationalization. Many works have won awards in the international arena. The Chinese School is even more widely acclaimed. Whether it is content or expression, the classic works of “Chinese Painting School” all have the strong style of Chinese traditional folk art. In recent years, the animation industry in China has been developing rapidly. However, it is regrettable that there is still no one carrying a tripod with the representativeness of Chinese characteristics. Instead, the Chinese-style animated cartoon produced by a foreign company is large in the world Success, forcing us to re-examine the future development of China’s animation industry, based on Chinese local culture and folk arts, to enhance their own cultural height of the work is the only way to revive China’s animation industry.