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本文以《小说月报》革新事件为切入口,关注1920年代初新文学与通俗文学的交锋与互动。本文认为,彼时诸多文坛事件,看似通过新旧对峙的形式呈现出来,实际背后涌动的是围绕各种类型资本展开的更为多元、复杂的区隔与互动。
In this paper, “Novel Monthly” reform incident as the starting point, pay attention to the early 1920s the confrontation and interaction between new literature and popular literature. This article argues that the events in many literary worlds at that time appeared to have emerged through the confrontation between old and new. The actual surging behind was the more diverse and complex separation and interaction around various types of capital.