郭沫若的文艺思想及其创作不同程度地有承于庄子。新时期以来,郭沫若的研究者在“郭沫若与庄子”文艺关系这一领域亦有可贵探索,其探索涉及的重点主要集中在泛神论、文艺的非功利观及文艺的“自然流露”说诸方面,这些也正是郭沫若融贯中西文艺思想、促成中国古典文艺美学转向现代的重要表现。 Guo Moruo’s literary thinking and his creation have varying degrees of commitment to Zhuangzi. Since the new period, Guo Moruo’s researchers have valuable exploration in the field of literary and artistic relations between Guo Moruo and Zhuangzi. The main points of his exploration focus on pantheism, the non-utilitarian view of literature and art and the “natural exposition” of literature and art. In all respects, these are precisely the important manifestations of Guo’s strategy of merging Chinese and Western literature and art and contributing to the turning of Chinese classical literature and art into modern one.