论文部分内容阅读
“意象油画”的理论来源于东方文化,是近代西方油画与东方文化相交融的结果。意象油画的创作与表现不是简单的用油画材料来摹绘表现国画,不是简单的“拿来我用”“生搬硬套”。它的创作过程是一个“主观精神性”与表现手法、语言多面性的“综合体”。在认识与实践的过程中我们应该抱着一颗“有容乃大”的精神创作状态,既要体现“东方特质”的审美情操,又不能仅限于单纯的地域性,既要尊重中华民族的审美感受,又不能盲目一概否定西方的审美观。
The theory of “image oil painting” originated from oriental culture, which is the result of the blending of modern Western oil painting and oriental culture. The creation and performance of imagery oil painting is not simply the use of oil painting materials to depict the performance of traditional Chinese painting, not a simple “use it for me” “make a living”. Its creative process is a “subjective spirit ” and performance techniques, multi-faceted “complex ”. In the process of cognition and practice, we should embrace a spiritual state of creation with great content and capacity, not only reflecting the aesthetic sentiment of the oriental qualities, but also not limited to mere regionalism. Respect the aesthetic feelings of the Chinese nation, but also can not blindly negate the western aesthetic standards.